Just back from the opening at Glen Echo’s Popcorn Gallery of WOVEN: Threads of Identity in Abstract Expressionism, an excellent group exhibition by the artists of The Black Art Today Foundation.
The news release reveals that the “show showcases the dynamic and powerful works of contemporary Black women artists who utilize the language of Abstract Expressionism” and…
Abstract Expressionism, a movement known for its focus on emotion, gesture, and individuality, becomes a powerful tool for these artists to explore themes of identity, race, and resilience. Through bold colors, gestural marks, and innovative techniques, they challenge traditional narratives and forge their own visual vocabulary.
This exhibition celebrates the artistic mastery and unique perspectives of Black women in the contemporary art world, while also acknowledging the historical exclusion of these artists from the canon of Abstract Expressionism.
This is a spectacular exhibition, and in my many decades of reviewing and attending art shows, this was of the few group art shows where every single work packs an intelligent punch to the solar plexus of the mind in what the artists – and the aim of the show – deliver!
Both Alida and I were immediately drawn to the paintings of Janet Walters, which are harmonious and fluid, flexing the artistic superpower of watercolors, the most difficult of media, at the hands of a very talented artist. She notes that “color on color creates depth and an ethereal feeling, as well as, little spaces ripe to become secret little vignettes. I strive to give the viewer three ways to see my work; a view from some distance, a closer view that shows more detail and an even closer perspective that reveals those little spaces that let viewers feel that they have come upon a secret space discovered only by them.”
Another artist in full mastery of her media is Tommi Blake, whose attractive resin paintings (some done in collaboration with fellow artist Marie Antoinette) are not only powerful abstract works, but also beautifully delivered in technical skill. I especially liked a large work titled “In the Beginning”, which almost dominates the side of the gallery where it is displayed.
| Anita Henley Carrington “Riptide” |
One of the most powerful weapons of Abstract Expressionism is the ability to deliver nuanced psychological messages, which in the hands and brush of a gifted artist can be a memorable experience. In the painting titled “Riptide”, artist Anita Henley Carrington delivers this exceptionally well, not only by offering us a beautiful painting, but also planting the image in our minds with an intelligent title, that forever moves that abstract painting into a recognizable event.
Washingtonian Maria-Lana Queen “Black Girl #11” is another work where the title and the energetic work full of marks and forms planted and floated anchor an image delivered by a very elegant abstract work. The piece seduced me visually and mentally.
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| Dr. Yemonja Smalls “Dream Day” |
On the other hand, Washingtonian Dr. Harriet Smith is a self-taught artist whose striking and colorful paintings, especially the one titled “Seventh Space” are the pure essence of what is Abstract Expressionism in all of its wonder! Another artist whose work delivers and does so with exuberance and clear gusto is Alma Roberts. Her superbly composed paintings – she has six in the show – are abstract gems.
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| Alma Roberts “Interposed” |
Both Dr. Vanessa Chappell Lee and Marie Antoinette also deliver superb works well within the lanes and footprint of Abstract Expressionism, with Antoinette’s frenetic paintings full of energy bursting out of the paintings’ surfaces – this is painting superpower at a nuclear chain reaction pace. Chappell Lee’s “Hidden Figures” teases the viewer by hiding in plain sight dozens of figures, which pop in an out of the painting as they tease the eye.
My kudos to the curators – this is a powerful show with deep resonance and presence. The show runs through September 29, 2024.
