In the two years since Les Rallizes Dénudés began their campaign to officially release the recordings that have been stashed away in their sizeable archives, Takashi Mizutani’s famously enigmatic underground band has seen its stature rise slightly above ground, with write-ups in major outlets like The New York Times, NPR, Pitchfork, The Wire, and The Quietus. For a group that remained unsigned to any label and released very little material over the course of their three-decade existence, the Rallizes are remarkably well-documented: photos and recordings exist from their earliest days as student activist . . .
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